Steve Reich’s ‘Drumming’ (dec. 9, 1971)
The First Meredith Monk Review
The Minimal Slow-Motion Approach: Alvin Lucier and Others
Frederic Rzewski, Petr Kotik, and Melodies
Phill Niblock: Out-of-Tune Clusters
La Monte Young, Steve Reich, Terry Riley, Philip Glass
Opening the Kitchen Season: Laurie Spiegel, Jim Burton, Judy Sherman, Garrett List
Victor Grauer: A Long Hum Drone Hum Hum
Charles Dodge: The Computer Sings
Meredith Monk, Kirk Nurock, Jon Gibson, Alvin Curran
David Behrman: Slides and Whooshes
Morton Feldman’s ‘Voices and Instruments II’
Phill Niblock on Fourth Street
The Queen of the South Returns: Alvin Lucier
Charlemagne Palestine’s Perception
Minimal Material: Eliane Radigue
Terry Riley Returns to Tonality
‘In C’ in Concert: Terry Riley
Steve Reich Tries out Two Works
The Sonic Arts Union: Robert Ashley, David Behrman, Alvin Lucier, Gordon Mumma
Learning from ‘Two Gongs’: Rhys Chatham
The Max Neuhaus Beep: But What’s it for?
A La Monte Young Diary: Feb. 1968-June 1973
Musica Elettronica Viva at the New York Cultural Center
The New Wilderness Preservation Band
Charlemagne Palestine: Electronics, Voice, and Piano
Paul DeMarinis’s Pygmy Gamelan
Robert Ashley: A Radical Statement
Philip Corner’s Metal Meditations and Daniel Goode’s Circular Thoughts
Christian Wolff: Exercises and Songs
A La Monte Young Diary: July 1973-April 1974
A La Monte Young Diary: April 1974
Scratch Music—No Rights Reserved
Research and Development: Joan La Barbara
Charlie Morrow Composes by Numbers
Laurie Spiegel and the Bell Labs Computer
Richard Teitelbaum on the Threshold
Stuart Dempster Plays Didjeridu
‘Text Sound Pieces’: Charles Amirkhanian and Friends
Icebergs and Paper Clips: William Hellermann
Distant Sounds of Maryanne Amacher
The Years of Innovation Pass On
The Years of Innovation Pass On (Continuation)
What Is Improvising? Annea Lockwood and Many Others
Rehearsing ‘Einstein on the Beach’: Philip Glass and Robert Wilson
Percussion for Professionals—And for Amateurs
Steve Reich and 18 Other Musicians
Barbara Benary Brings Java to Jersey
Pauline Oliveros and Philip Corner: Meditation Music
Four Versions of Christian Wolff’s ‘Burdocks’
Serious Music Can Be Too Serious
Amateur Music: Christian Wolff and Others
Gavin Bryars’s Work Is Good Four Ways
Intermedia Today: William Hellermann and Richard Kostelanetz
John Cage Goes to Boston: A Bicentennial Premiere
Julius Eastman and Daniel Goode: Composers Become Performers
Frederic Rzewski: The People United
Creating the Context: Max Neuhaus
Is There a Greatness Shortage?
How to Find Michael Galasso and Guy Klucevsek
David Tudor’s Homemade Pulsers
Laurie Anderson at the Holly Solomon Gallery
Avant-Gardists Reach Toward the People: Alvin Curran, Ingram Marshall, David Mahler, and Warren Burt
Robert Ashley Documents the Aether
Artists Meet at Niblock’s Loft: Malcolm Goldstein
Gordon Mumma and Alvin Lucier Make New Connections
Joel Chadabe’s Singing Machine
The Music Talks: Lucio Pozzi and Robert Ashley
What Is Minimalism Really About?
Maryanne Amacher at the Kitchen
Carole Weber’s Music for Homemades
Rhys Chatham’s Music is Hard to Hear
Alison Knowles, Shoes, and Gertrude Stein
Trembles from William Hellermann
Garrett List Brings Them Together
Recent Concerts of Phill Niblock, Yoshi Wada, Jim Burton, and Jon Deak
More Than a Percussionist: Bob Becker
Nigel Rollings Has Some Good Ideas
A La Monte Young Diary: Oct. 1974-Sept. 1978
The New Tonality in Works of Steve Reich, Frederic Rzewski, and Brian Eno
Documentary Music: Gavin Bryars, Philip Corner, and Others
Morton Feldman Writes an ‘Opera’
Ethnomusicologists in Concert: Paul Berliner and Others
Whatever Happened to the Avant-Garde?
Young Composers Series: John Adams, Michael Nyman, Paul Dresher, Ingram Marshall
Richard Teitelbaum, George Lewis, William Hawley
An Old-Fashioned Fluxus Concert
Takehisa Kosugi and Akio Suzuki: Stunning by Coincidence
Jon Deak, Ben Johnston, Yoshi Wada, Philip Corner, Laurie Spiegel, Emmanuel Ghent
New Music New York New Institution
Contradictions and Glenn Branca’s Static
Robert Rutman, Bruce Fier, and New Instruments
The European Avant-Garde Marches On
Frederic Rzewski’s Thirteen Studies
Carles Santos Invents Passionate Minimalism
Harry Bertoia’s Metallic Wonderland
Takehisa Kosugi, Pauline Oliveros, and Transcendental Experience
New Music America Takes Over a Town
John Zorn and Other Improvisors
Getting Looped: Robert Moran and Others
John Cage’s Themes and Variations
Stuart Dempster and Stephen Scott: A Progress Report
Maximalism on the Beach: Philip Glass
The Real Tambourine Man: Glen Velez
Charlie Morrow vs. Carles Santos
Hungarian Minimalism: Zoltan Jeney
On the Fringe of Paris: Pierre Marietan, Eliane Radigue, Horacio Vaggione
The Canon Master: Conlon Nancarrow at 70